del autor Georges Perec
(Cuando encuentro libros así los dioses me confirman que todo es cuestión de creerse y escucharse,
como lo han hecho los grandes inventores y los libres)
"For a long time I went to bed in writing"
The Bed
The bed is thus the individual space par excellence, the elementary space of the body, the one which even the man completely crippled by debts has the right to keep: the bailiffs don't have the power to seize your bed. This also means -this is easily verified in practice- that we have only one bed, which is our bed. When there are other beds in a house or an apartment, they are said to be guest beds or spare beds. It seems we only sleep well in our own bed.
(...)
The Bedroom
What does it mean, to live in a room?
Is to live in a place to take possession of it?
What does taking possession of a place mean?
As from when does somewhere become truly yours? Is it when you've put your three pairs of socks in a pink plastic bowl? Is it when you've heated up your spaghetti over a camping-gaz? Is it when you've used up all the non-matching hangers in the cupboard? Is it when you've drawing-pinned to the wall an old postcard showing Carpaccio's "Dream of St Ursula"? Is it when you've experienced there the throes of anticipation, or the exaltations of passion, or the torments of a toothache? Is it when you've hung suitable curtains on the windows, and put up the wallpaper, and sanded the parquet flooring?
(Luego continúa con The Apartment Building, The Street, The Neighbourhood, The Town, The Counryside, The Country)
Leerlo es como diseccionarme; verme desde afuera; ver cómo ocupo el espacio que me rodea; cómo vivo con los objetos que nunca he considerado lugares comunes, y preguntarme entre carcajadas por qué.
Dejo aquí un retrato de Perec que basta y sobra para querer buscar su otro libro necesario: Life: A User's Manual.
El Cuarto de Van Gogh tiene muchas particularidades. Además de sus colores, de su trazo fuerte, como si quisiera que el óleo penetrara cada poro del lienzo sin perder su trazo y su textura, está el detalle de la perspectiva. Tener el dominio de la perspectiva es algo realmente superior, tener el dominio de nuestro espacio vital es mucho más que eso. Nuestro espacio vital… ¿dónde está?, ¿cuándo lo ocuparemos?, ¿para qué lo haremos?
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